1.The Chinese bamboo drill, a remarkable craft ______ (date) back to the Shang Dynasty, is evidence of early Chinese wisdom.

2.Dujiangyan, the first irrigation network in the world, was a construction project ______ bamboo played an important role.

3.In the Han Dynasty, people began to use bamboo to make paper, which was of excellent quality and available at a ______ (reason) price.

4.______ the invention of the abacus, the ancient Chinese people employed bamboo chips to calculate with, an early instance of using natural materials in technology.

5.Egyptian acupuncturist El-Naggar is both a practitioner and a witness to the ______ (grow) influence of traditional Chinese medicine and public engagement in Egypt.

6.TCM sees the human as body, soul and spirit together—one complete unit—and with the right points and properly ______ (place) needles, you help the body recover itself.

7.It was this core philosophy ______ initially attracted her to the field more than two decades ago.

8.So far many people ______ (draw) to TCM because it offers an accessible way to ease anxiety rather than merely treating symptoms.

9.There she completed a three-year acupuncture program at a private college, ______ included a month of study at Beijing University of Chinese Medicine and later qualified her for further research.

10.After experiencing the ______ (effective) of Chinese medicine, the football coach began recommending acupuncture to fellow coaches, players, and friends.

11.Digital tools like big data and artificial intelligence have created new opportunities for museums to engage the public, with traditional exhibitions ______ (reimagine) through interactive and visually striking digital methods.

12.Home to over a million artworks, the Palace Museum used to display only a small part of its treasures, but at present advanced technology allows it ______ (offer) virtual tours that make the collection accessible worldwide.

13.During the COVID-19 outbreak, when physical visits ______ (limit), the museum sped up the digitization of its collection.

14.Since then, 3D modeling, cloud platforms and other technologies ______ (employ) to recreate and restore the palace online.

15.Millions of visitors can now explore the museum online, ______ makes history more accessible to people worldwide.

16.Located in the historic Dashilan area, the Daguanlou Cinema is celebrated as the birthplace of Chinese film, representing the lasting legacy of cinematic art and modern ______ (innovate) with a distinctive style.

17.In 1905, Ren Qingtai invited Peking Opera master Tan Xinpei to star in a classic opera movie ______ (name) Dingjun Mountain.

18.Classic scenes like “Requesting Orders,” “Swordplay,” and “Battle” ______ (film) as silent movie parts and first shown at the then-called Daguanlou Theater.

19.Today, the Daguanlou Theater has evolved into the Daguanlou Cinema, ______ ground floor hosts a living museum, displaying stills from Dingjun Mountain and historical film projectors.

20.Walking through, visitors can ______ (direct) encounter the century-old story of Chinese cinema and experience its cultural heritage.

21.The cinema’s fusion of the old and the new offers a unique experience, attracting young audiences ______ (seek) a positive connection with the past while enjoying modern comfort.

22.Every spring, the 356-year-old kapok tree in Sun Yat-sen Memorial Hall flowers, ______ (capture) the affection of locals and becoming a symbol of the city.

23.Known as the “Kapok King,” it is a miracle of nature, as these trees, on average, rarely survive ______ a century in the wild.

24.Led by Wang Yongyue, the team employs advanced technologies ______ (monitor) the tree’s health and detect problems before they become serious.

25.If the wood ______ (be) hollow or decayed inside, the speed of the sound changes, which helps the team strengthen the tree before it’s too late.

26.Rather than relying on strong chemicals, the team practices biological control, releasing natural enemies as a natural intervention ______ (hunt) harmful insects and maintain ecological balance.

27.To the citizens of Guangzhou, this tree is more than a plant; it is a beloved family member ______ well-being connects the city’s community past and future.

28.Powerful drumbeats filled the theatre as performers firmly ______ (strike) large drums in perfect rhythm, creating an atmosphere of discipline and passion.

29.This was the opening scene of Drum Music in Dongcang, a traditional drum performance I experienced in Xi’an this summer, and it ______ (immediate) caught my attention.

30.Originating from the drum music of the Tang Dynasty court, the performance told a ______ (remark) story of how this ancient art has survived across centuries.

31.The steady rhythm of the drums, ______ (combine) with carefully designed movements, created a strong sense of history and discipline.

32.As the performance unfolded, the audience learned that the decline of the Tang Dynasty forced court musicians to leave the palace, ______ (carry) the drum music with them into ordinary communities.

33.______ had once belonged to the court became something people could hear, learn, and pass on, which helped the tradition take root in Xi’an.

34.Over generations, the tradition took root in Xi’an, and the message was clear and touching: music is meant ______ (share).

35.Toward the end, when the performers revealed how many years they had spent practising, the audience was deeply moved and responded with enthusiastic ______ (applaud).

36.Neil Schmid first visited Dunhuang, a desert city to ______ he owed his lasting affection for the caves, and later became the first full-time foreign researcher at the Dunhuang Academy.

37.Since then, Schmid ______ (spend) thousands of hours examining the caves’ murals and sculptures, which has deepened his understanding of how these sacred spaces were designed.

38.Each visit, he says, reveals something new, ______ (deepen) his appreciation of how these sacred spaces were designed to encourage engagement of body, senses, and mind.

39.In Cave 25, he identified a hand gesture strikingly similar to ______ in one of Leonardo da Vinci’s works, which was painted over five centuries earlier.

40.These discoveries show ______ cultural exchange generates: new visual languages and devotional forms, making Dunhuang not just a crossroad but a site of innovation.

41.______ (Regard) as a storyteller and a cross-cultural guide, Schmid commits himself to sharing Dunhuang with global audiences through lectures and exhibitions.

42.For him, the ancient caves remain a steady source of inspiration—proof that lasting achievements come from ______ (open).

43.Yiwu, widely ______ (know) as “the World’s Supermarket,” is located in the heart of Zhejiang province and has become a lively global trade center over the past four decades.

44.At its core lies Yiwu International Trade City, the world’s largest wholesale market for small goods, a vast complex ______ stretches over 6.4 million square meters.

45.Here, it offers more than 2.1 million categories of products, ranging from common daily needs and fashion accessories ______ the latest festive decorations and electronic devices.

46.Nearly 80% of the world’s festive supplies ______ (estimate) to come from this market, which maintains close trade ties with over 230 countries and regions.

47.Around 18,000 foreign business people live permanently in the city, ______ (make) it a highly international community.

48.The Yiwu-Europe Railway Express serves as a vital logistics link, offering regular goods services to dozens of countries and thus ______ (establish) efficient and cost-effective trade routes.

49.What truly sets Yiwu apart is its spirit of constant innovation and ______ (open), and its journey started with the traditional exchange of local resources like feathers for sugar.

50.More than just a major trading city, Yiwu offers a clear view of China’s growing private-sector economy and the real results of its reform and opening-up policy, ______ (continue) to build stronger ties around the world.

答案解析

1.dating

非谓语动词。a remarkable craft 与 date back 为主动关系，作后置定语用现在分词。含高频词 craft。

2.where

定语从句。先行词为 construction project，从句中缺少地点状语，用 where。含 construction。

3.reasonable

词性转换。修饰 price 用形容词 reasonable。含 available。

4.Before

介词。表示“在……之前”，首字母大写。含 instance。

5.growing

词性转换。修饰 influence 用现在分词/形容词 growing。含 engagement。

6.placed

过去分词。needles 与 place 为被动关系，properly placed needles 表示“放置得当的针”。含 recover。

7.that

强调句。It was ... that ... 结构强调 this core philosophy。含 core。

8.have been drawn

现在完成时被动。So far 常与现在完成时连用，people 与 draw 为被动关系。含 accessible / anxiety。

9.which

非限制性定语从句。先行词为 a three-year acupuncture program，从句中作主语。含 qualify。

10.effectiveness

名词。作 experiencing 的宾语，用名词形式。含 coach。

11.reimagined

with 复合结构。exhibitions 与 reimagine 为被动关系，用过去分词。含 interactive。

12.to offer

不定式作宾补。allow sb./sth. to do sth.。含 accessible。

13.were limited

一般过去时被动。physical visits 与 limit 为被动关系。含 digit。

14.have been employed

现在完成时被动。Since then 常与现在完成时连用，technologies 与 employ 为被动关系。含 restore。

15.which

非限制性定语从句。先行词为前面整个主句内容，用 which。含 accessible。

16.innovation

名词。与 modern 并列作介词 of 的宾语。含 distinctive。

17.named

过去分词。movie 与 name 为被动关系，作后置定语。含 classic。

were filmed

18.一般过去时被动。scenes 与 film 为被动关系。含 classic。

19.whose

定语从句。先行词为 the Daguanlou Cinema，与 ground floor 构成所属关系。

20.directly

副词。修饰动词 encounter。含 encounter。

21.seeking

现在分词。young audiences 与 seek 为主动关系，作后置定语/伴随状语。含 positive。

22.capturing

现在分词。主语 it 与 capture 为主动关系，作伴随状语。含 affection / symbol。

23.beyond

介词。survive beyond a century 表示“存活超过一个世纪”。含 average。

24.to monitor

不定式作目的状语。employ technologies to do sth.。含 detect。

25.is

主谓一致。主语 the wood 为不可数名词，谓语用单数。

26.to hunt

不定式作目的状语。releasing natural enemies to hunt harmful insects。含 intervention。

27.whose

定语从句。先行词为 a beloved family member，与 well-being 构成所属关系。含 community。

28.struck

一般过去时。叙述过去场景，strike 的过去式为 struck。含 performer / passion。

29.immediately

副词。修饰动词 caught。含 hit 相关语义场。

30.remarkable

形容词。修饰名词 story。含 classic 相关语义场。

31.combined

过去分词。be combined with 为固定搭配，作后置定语/状语。含 discipline。

32.carrying

现在分词。musicians 与 carry 为主动关系，作伴随状语。含 community。

33.What

主语从句。What had once belonged to the court 作主语。含 tradition。

34.to be shared

不定式被动。music is meant to be shared 表示“音乐注定要被分享”。

35.applause

名词。作介词 with 的宾语。含 performer。

36.which

“介词+关系代词”。to which he owed... 表示“他将其……归因于这座沙漠城市”。含 affection。

37.has spent

现在完成时。Since then 常与现在完成时连用，主语 Schmid 为第三人称单数。

38.deepening

现在分词。作结果/伴随状语。含 engagement。

39.that

代词。that 替代前面提到的 a hand gesture，避免重复。含 identify。

40.what

宾语从句。show what cultural exchange generates，what 作 generates 的宾语。含 innovation。

41.Regarded

过去分词。Schmid 与 regard 为被动关系，作状语。含 lecture。

42.openness

名词。作介词 from 的宾语。含 inspiration / achievement。

43.known

过去分词。be widely known as 为固定搭配，作后置定语/状语。

44.that / which

定语从句。先行词为 a vast complex，指物，从句中作主语。含 core。

45.to

固定搭配。range from A to B 表示“从 A 到 B 不等”。

46.are estimated

被动语态。supplies 与 estimate 为被动关系，主语为复数。含 estimate。

47.making

现在分词。作结果状语，表示“使得……”。含 community。

48.establishing

现在分词。与 offering 并列，作伴随/结果状语。

49.openness

名词。与 innovation 并列作介词 of 的宾语。

50.continuing

现在分词。作伴随状语，表示“继续……”。含 private-sector。

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